The way we value a home today might seem downright absurd, yet it's a widespread obsession that many overlook. But here's where it gets controversial: Kevin McCloud boldly claims that people often judge a property by the number of toilets it contains — a notion he considers completely bonkers. This statement touches on a broader issue about how superficial measures can distort our true understanding of property worth.
In Australia, there's a popular saying that residents tend to focus their conversations on only two topics: sport and real estate. Do you think Australians talk too much about property? Interestingly, despite this reputation, McCloud finds that Australians often don't discuss real estate as much as the media suggests. Instead, the Australian press tends to obsess over housing because sensational stories sell papers, much like how political coverage in the UK often favors controversy or extremes, even when the majority hold moderate views. McCloud observes that, in his personal experiences, Australians are remarkably forward-thinking, eager to tackle issues with a proactive attitude.
He contrasts this with the British tendency to hesitate, to say, 'Maybe, I don’t know — ask me in six months,' displaying a default skepticism or reluctance to act swiftly. But the instant McCloud steps onto Australian soil, he is greeted with an enthusiastic, 'What can we do?' That optimism is one of the qualities he admires most about Australia.
Currently, McCloud and his friend Tim Ross are promoting their live event, and he admits he's been anxious for it to build momentum slowly — a curiosity because, culturally, he’s used to being more reserved and cautious. Why is the most important room in a house? According to him, any room with a lock — most teenagers would agree — because privacy and personal space are priceless. He refers to Gaston Bachelard’s renowned book, The Poetics of Space, which suggests that our emotional and psychological bonds with the places we grow up in shape our idea of home. These spaces aren’t just physical; they serve as sanctuaries for our introspection and daydreams, where feeling safe to indulge in one’s fantasies is vital.
If McCloud could bring a building back to England from Australia, which would he choose? He emphasizes the uniqueness of Australian architecture, which often reflects its specific environment and history. While the Sydney Opera House is iconic and recognized worldwide, McCloud also appreciates smaller, well-preserved buildings like a 1920s bungalow near his friend Tim’s house in Sydney. He advocates for more of these homes in Britain, emphasizing that many modern constructions, with their plastic double glazing and oversized garages, lack the charm and authenticity of these classic structures.
Turning to current design trends, McCloud criticizes the recent proliferation of overly luxurious bathrooms. He notes with a mix of irritation and humor that some homes have more toilets than people living in them — a sign of how value has shifted to how many bathrooms a house boasts, rather than practical needs. In his refurbishment of a small barn, McCloud deliberately deemed the only toilet the house’s sole door — a statement against the obsession with excessive bathroom spaces. He even mentions how British planning laws sometimes prioritize conservation or protected species, like bats, which can reduce living space but add a unique character to buildings. He loves a good bat loft and views these creatures as a reminder that architecture should create meaningful connections rather than foster isolation.
Who’s the most famous person in his phone? McCloud teases that he might be bragging, but in reality, he’s met many public figures through his work, including Monty Don, with whom he shares a respectful, private friendship. They occasionally chat, highlighting how connections made through a shared interest in design and lifestyle can be surprisingly genuine.
He humorously admits that, despite his confidence in building or DIY skills — having even rebuilt his current residence — he prefers to hire professionals like plumbers, electricians, and curtain makers. The arrogance of youth, he believes, is fleeting, and in old age, self-doubt may replace confidence.
McCloud recalls some of the strangest things he’s eaten for television, from insects and goat eyeballs to fermented shark buried in Iceland. Thanks to his limited sense of smell, he navigates these culinary adventures more easily, although some tastes—like the fermented shark—are vividly unpleasant, reminiscent of vomit and ammonia.
When it comes to entertainment, he often revisits classics like Trading Places, enjoying Eddie Murphy and Dan Aykroyd’s performances, despite some of the language and themes now feeling outdated or uncomfortable. Yet, the film’s tackling of race and privilege still resonates with him, prompting reflection on how perceptions of such issues evolve over time.
If he could have a sandwich named after him, it would need to be both delicious and environmentally conscious, perhaps made with eco-friendly materials like structured insulated panels filled with recycled foam. Fun, right?
His most memorable interaction with fans is truly touching: young professionals who say their passion for architecture and engineering was sparked by watching Grand Designs with their parents at a young age. Despite feeling that his job is mostly just fooling around in front of a camera, these words reinforce the real impact of his work, giving it a deeper meaning. It’s a reminder that sometimes, the seemingly simple act of sharing a passion can inspire future generations of designers and builders.
